HM - 00080 1980's
Hondo Electric Mandolin EXC I've had quite a few solid body
electric mandolins including Fenders, Gibsons, and custom made ones. This one with its
properly proportioned classic florentine
body and F Style headstock looks the best
in my opinion and it also feels really natural to play. Easy action and very responsive pickup
with controls that work smoothly. Scale length = 14" and Nut width = 1 3/32". Gold
tuning pegs and chrome custom
adjustable bridge and sturdy
input jack. A few little scratches and dents here and
there but basically in excellent condition. A hole for a strap peg is unfilled and ready for the peg of
your choice. It travels and will ship in its gig bag.
The sound can be quite close to acoustic when turned down and it really honks when turned up.
KM - 0002 1989 Everett
Kettler Model TF-2 EXC + This mandolin is a
real hoss with tons of volume and plenty of bass and a nice fat high end
that develops a bit of reverb to it. Spruce top and flame maple back, sides and neck. Note the
small f-holes and unusual carve to the top. Pearl inlaid rosewood peghead overlay as well as
rosewood fingerboard, and pickguard. Allen style tailpiece and ebony adjustable bridge. Beautiful heel treatment. Fine
workmanship throughout. Everett Kettler of South Woodbury, Vermont is
quite a character and is no longer making mandolins. If you go to
www.mandolincafe.com and search the forums you will find a few
interesting articles about him. He makes furniture, wooden boats, Amish
horse carriages, as well as musical instruments. He has signed and
dated the label March 6,
1989, serial number 0133. This is an unusual and powerful mandolin.
Hard shell case.
HO - 00012 ca. 1895 Howe
Orme Style 3 Mandolin (Mandolinetto) EXC +++
This is a museum quality condition example of this cylinder top
design but it also plays and sounds terrific with fine volume.
Classic aged Adirondak spruce
top is crack free as are the brazilian rosewood back and sides. Simple
rosewood peghead overlay
and original tuning pegs
that work just fine. The
label is in fine shape and the serial number #0976 appears there as
well as being
stamped into the top of the headstock. Original bridge is fitted perfectly to
the 'humped' cylinder top. Original tailpiece with the May
15,1894 Patent stamp. And the hard violin style case is
also in fine shape including the perfectly working spring latches.
Price - - Now $1795.00
VM - 0006 1935 Vivitone Mandolin
by Lloyd Loar VG These are found less often than the
guitars that were produced by Lloyd Loar's Vivitone company in the mid thirties.
This one plays well and sounds better than the others I've heard (a couple of which
were equipped with pickups). One of the two labels insides guarantees full credit for
an upgrade to the electric model provided it is done by the end of 1935. The radical
design has the odd soundhole in the spruce
top and violin style f-holes in the spruce
back which is inset into the sides.
The sides have aged with an odd rippling effect. There is one un-repaired
up from the bottom on the back. The headstock
has the art deco Vivitone logo and the
tuning pegs are original as is the pickguard and the
case. The very nicely intonated
bridge is likely a replacement as is the
Gibson tailpiece from the twenties. There is a well repaired longitudinal crack
running along the neck that is solid and poses no issue.
GM - 000140 1906 Gibson F-3
Artist Model Mandolin VG++  : This is the best
sounding and nicest playing example of one of these old 3 point Artist
Models that I've run across. The top is crack free with
original finish worn at the sound hole and pickguard(s) there's a
cute little added one. The
back and sides are mahogany and also crack free. There is a
hairline repaired heel crack and the common headstock scroll repair
but this one is really expertly done. There is also a virtually
invisible repair to the treble side of the neck below the peghead. No
headstock crack, just a little chunk replaced where it was all grunged
up. Like I said, you can't see it or feel it. The headstock and the
area just below it have been refinished. The original engraved Handel tuning
pegs have one replaced gear and screw. Original end pin and original compensated bridge and "pineapple" tailpiece.
The hard shell case is
nice and looks maybe like it was custom ordered or even home made. And
it's got the "Orville
Label" serial number 4841.
Price - $5750.00
GM - 00089 1928 Gibson A
Model Blackface EXC A little wear on the black
top and a bit as well on
the birch back and sides
which like the rest of the mandolin are crack free. This is a real good
player with a good strong sound. Silver stenciled "The Gibson" on the
truss rodded headstock
and original tuning pegs.
Adjustable bridge with
1921 patent stamp and nice engraved tailpiece. Good label with
serial # 87208 nice and
clear. Good newer shaped tweed hard shell case.
GM - 00106 2007 Corrado
Giacomel Octave Mandolin EXC+ A beauty from
Corrado Giacomel of Genoa Italy. Red Sunburst spruce top and flamey maple back and sides, all crack
free. Maple neck and ebony fingerboard, pickguard and adjustable
bridge. Super comfortable ebony tailpiece. I think if the
classic Loar design two point body with a scroll is the American
equivalent to the Corvette, then the Giacomel design is equivalent to
the Ferrari. He has given an Italian flavor even to the 'flowerpot' on
the headstock and certainly to the
classic scroll. Gold
plated tuning pegs.
This mandolin has great power and fantastic tone that has plenty of
depth in the low end and develops nice reverberation at the high end.
20" Scale Length 1 5/16" Nut Width. Gig Bag.
DM - 0004 1911 Dayton Style B
Mandolin VG+ A rare item and a unique design.
This one is fancier and in nicer shape than the
Pair in the Museum. It's black top original finish is in nice
shape with some wear and the mahogany back is excellent and nicely
figured. Viewed from side
the white divider would appear to be simply ornamental but there is a
false back - secondary sound board - in the middle of the instrument
that has almost impossible to photograph cats eye shaped sound holes
The label is fairly well
It has a good full strong sound and plays easily with straight
neck good frets and good action. It has attractive fingerboard and headstock inlays and original
tuning pegs and a very nice
TM - 0003 ca. 1920
Rafaele Tieri Bowl Back Mandolin EXC but for a
crunch in the 33
flame maple ribbed
back. It is only about 6 inches long and affects 5 ribs and it
doesn't hurt the sound, playability, or structrual integrity of the
instrument a bit and ... it would be a bear to fix. So we leave it be
and appreciate that this is a fine quality instrument that has a great
setup and bold sound. The spruce top is crack free as is
the rest of the instrument. Nice piece of (maybe) walnut inlaid into the
bottom where the
ribs join together. Masterful replica bridge and probably original
tailpiece. The label
is beautifully intact. Rosewood overlay with the "Tieri" banner
inlaid on the headstock
and original tuning
pegs which work fine. Inlaid 'you know what' pickguard. No case
but we'll pack securely.
SM - 00018 ca. 1905 Stahl
Style 8 Mandolin EXC but for one very hard
to see (and even harder to photograph) crack in the bowl back that has been expertly repaired. Email for a large picture
that shows it better if interested. It does not affect structural integrity nor
playability. The rest of the instrument is splendid with the abalone trimmed
top with it's ornate inlaid
tortoise shell pickguard and
abalone trimmed soundhole. The
fingerboard is also trimmed in abalone. Tasteful inlay on the
headstock and original
tuning pegs with the engraved
Looks like a medalian of some sort was once placed above the back plate, perhaps
a dealers emblem. There are some hairline
surface cracks on the bottom of the ivory trimmed skirt but that's all they are. Exact replica bridge and original
engraved tailpiece. The label
is also in fine shape. It plays easily with comfortable action and intonates fine. An
exceptional instrument. Unfortunately, no case but we can ship very securely.
HO -0005 ca. 1900 Howe Orme Style 4
Mandolin EXC - These little old things put out
a lot of sound for their size. Lower Bout = 7 1/2". Nut Width = 1 1/8".
Scale Length - 13 1/8". The Style 4 sports the
spruce top with the "cylinder" hump being
partially responsible for it's fine tone. It also has gorgeous Brazilian rosewood back and
sides and fancy engraved inlays on the ebony fingerboard as well as the headstock. Lovely soundhole rosette and five
ply (white/red/black/white/black) body binding. Original tuning pegs. The label is in good shape and
the serial number is
#0785. There are two repairs, both typical. One at the
and one at the back of the
peghead. Both are solid and professionally done. It has it's original violin
case in fairly decent
SM - 0009 Oscar Schmidt
"Sovereign" Mandolin EXC From the mid to late
twenties, this rare little beauty plays just great and has a really nice
full mellow sound. Pearloid fingerboard and headstock and beautifully
grained book matched mahogany (or maybe it's koa) back and sides. The wide
grain spruce top is
crack free as is the rest of the mando and has an inlaid pearloid
pickguard, fancy diamond trim around its border and soundhole, an
intricate carved bridge
and an engraved
tuning pegs with one replaced shaft. Old end opening case has about had it.
HH - 0007 ca. 1900 Hammond
Harp Mandolin EXC A custom order for an
imaginative player? A stroke of genius by the builder himself? herself?
One can't help but wonder. But it combines extreme innovation with an
acutely unique sense of design. From the H. Hammond Company of
Sioux City, Iowa. Red stained spruce top has a couple of repaired
cracks as does the Brazilian rosewood back. The sides are crack free.
The headstocks have
beautiful burl veneers, perhaps walnut. The bass harp strings are
arranged in three double courses and have their own 5 fret fingerboard!
Original tuning pegs work fine and
the back plates on the set of 8 match
the back plates on the set of 6 whereas the
top curves of the pegheads are
exquisitely complimentary. Tasty pearl inlays on the main
fingerboard and by the way
the frets are good and the action is low and it plays quite nicely.
Beautiful heel arrangement.
Dual tailpieces. One of
them patented 1891 .
Interesting wood octagonal
soundhole rosette and inlaid maybe tortoise pickguard. And the label is mostly intact and
proudly states "Work Guaranteed". This is also put on the heel block
and there are some Made in Sioux City labels inside as well. No case.
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